Meggie's father, Mo, has an wonderful and sometimes terrible ability. When he reads aloud from books, he brings the characters to life--literally. Mo discovered his power when Maggie was just a baby. He read so lyrically from the the book Inkheart, that several of the book's wicked characters ended up blinking and cursing on his cottage floor. Then Mo discovered something even worse--when he read Capricorn and his henchmen out of Inkheart, he accidentally read Meggie's mother in. Meggie, now a young lady, knows nothing of her father's bizarre and powerful talent, only that Mo still refuses to read to her. Capricorn, a being so evil he would "feed a bird to a cat on purpose, just to watch it being torn apart," has searched for Meggie's father for years, wanting to twist Mo's powerful talent to his own dark means. Finally, Capricorn realizes that the best way to lure Mo to his remote mountain hideaway is to use his beloved, oblivious daughter Meggie as bait! Cornelia Funke's imaginative ode to books and book lovers is sure to be enjoyed by fans of her breakout debut, The Thief Lord, and young readers who enjoyed the similarly themed The Great Good Thing by Roderick Townley. (Ages 10 to 15) --Jennifer Hubert --This text refers to the Hardcover edition. From School Library Journal Grade 4-8-Characters from books literally leap off the page in this engrossing fantasy. Meggie, 12, has had her father to herself since her mother went away when she was young. Mo taught her to read when she was five, and the two share a mutual love of books. Things change after a visit from a scarred man who calls himself Dustfinger and who refers to Mo as Silvertongue. Meggie learns that her father has been keeping secrets. He can "read" characters out of books. When she was three, he read aloud from a book called Inkheart and released Dustfinger and other characters into the real world. At the same time, Meggie's mother disappeared into the story. Mo also released Capricorn, a sadistic villain who takes great pleasure in murdering people. He has sent his black-coated henchmen to track down Mo and intends to force him to read an immortal monster out of the story to get rid of his enemies. Meggie, Mo, Dustfinger, and Meggie's great-aunt Elinor are pursued, repeatedly captured, but manage to escape from Capricorn's henchmen as they attempt to find the author of Inkheart in the hope that he can write a new ending to the story. This "story within a story" will delight not just fantasy fans, but all readers who like an exciting plot with larger-than-life characters.
 

Review "It seems unlikely that the master of noir-tinged, surrealistic black humor would write a novel for young readers. And yet, there has always been something delightfully juvenile about Hiaasen's imagination; beneath the bent cynicism lurks a distinctly 12-year-old cackle. In this thoroughly engaging tale of how middle schooler Roy Eberhardt, new kid in Coconut Cove, learns to love South Florida, Hiaasen lets his inner kid run rampant, both the subversive side that loves to see grown-ups make fools of themselves and the righteously indignant side, appalled at the mess being made of our planet. The story is full of offbeat humor, buffoonish yet charming supporting characters, and genuinely touching scenes of children enjoying the wildness of nature. He deserves a warm welcome into children's publishing."-Booklist "A wonderful tour-de-force."-The Boston Globe "A rollicking, righteous story."-The Miami Herald "You don't have to be a young adult to enjoy it."-The New York Times Book Review "Yes, it is a hoot."-The Washington Post Book World From the Hardcover edition. Book Description Unfortunately, Roy's first acquaintance in Florida is Dana Matherson, a well-known bully. Then again, if Dana hadn't been sinking his thumbs into Roy's temples and mashing his face against the school-bus window, Roy might never have spotted the running boy. And the running boy is intriguing: he was running away from the school bus, carried no books, and-here's the odd part-wore no shoes. Sensing a mystery, Roy sets himself on the boy's trail. The chase introduces him to potty-trained alligators, a fake-fart champion, some burrowing owls, a renegade eco-avenger, and several extremely poisonous snakes with unnaturally sparkling tails. Roy has most definitely arrived in Carl Hiaasen's Florida. From the Hardcover edition.
 

 As the inhabitants of Redwall Abbey bask in the glorious Summer of the Late Rose, all is quiet and peaceful. But things are not as they seem. Cluny the Scourge, the evil one-eyed rat warlord, is hell-bent on destroying the tranquility as he prepares to fight a bloody battle for the ownership of Redwall. This dazzling story in the Redwall series is packed with all the wit, wisdom, humor, and blood-curdling adventure of the other books in the collection, but has the added bonus of taking the reader right back to the heart and soul of Redwall Abbey and the characters who live there. Magical, mystical, and the stuff of legends, this stunning tale of good battling with--and ultimately triumphing over--evil takes the reader on a roller-coaster adventure that barely draws breath from the first page to the very last. Brian Jacques is a true master of his craft. --Susan Harrison --This text refers to the Paperback edition. From Publishers Weekly Only the lost sword of Martin the Warrior can save Redwall Abbey from the evil rat Cluny and his greedy horde. The young mouse Matthias (formerly Redwall's most awkward novice) vows to recover the legendary weapon. In the course of his quest, Matthias forges strong ties with various local animals. As much as the magic of the sword, it is the help of these new friends that enables Matthias to defeat Cluny once and for all. Jacques's clever use of detail creates an animal world as compelling as that of The Wind in the Willows. From the beginning, each of Redwall's characters is endowed with a unerringly distinct personality: there is a powerful badger named Constance; a mute squirrel named Silent Sam, who knows the forest better than anyone; and his mother Jess, a champion climber who leads a splendid rescue of a piece of the abbey's tapestry. This epic adventure contains elements of all grand quests, with heroic archetypes that will keep fans of Tolkein and King Arthur tales engaged to the final battle.
 

 This collection includes programs of seven titles in C.S. Lewis's Chronicles of Narnia: THE MAGICIAN'S NEPHEW; THE LION, THE WITCH AND THE WARDROBE; THE HORSE AND HIS BOY; PRINCE CASPIAN; THE VOYAGE OF THE DAWN TREADER; THE SILVER CHAIR; and THE LAST BATTLE. Stunning packaging and a classic cast of narrators complement this special listening experience. The great British voices of Ian Richardson, Claire Bloom, Sir Anthony Quail, and Michael York weave Lewis's web of stories and adventures. Some of the recordings date from the '70s, but they meld seamlessly with York's performance this year.

. Grade 6-9–The author of the popular All Alone in the Universe (HarperCollins, 1999) returns with another character study involving those moments that occur in everyone's life–moments when a decision is made that sends a person along one path instead of another. Debbie, who wishes that something would happen so she'll be a different person, and Hector, who feels he is unfinished, narrate most of the novel. Both are 14 years old. Hector is a fabulous character with a wry humor and an appealing sense of self-awareness. A secondary story involving Debbie's locket that goes missing in the beginning of the tale and is passed around by a number of characters emphasizes the theme of the book. The descriptive, measured writing includes poems, prose, haiku, and question-and-answer formats. There is a great deal of humor in this gentle story about a group of childhood friends facing the crossroads of life and how they wish to live it. Young teens will certainly relate to the self-consciousnesses and uncertainty of all of the characters, each of whom is straining toward clarity and awareness.
 

 Lyra's Oxford packages together a short story set in the same universe as his famous trilogy, a fold-out map of the alternate-reality city of Oxford, a short brochure for a cruise to The Levant aboard the S.S. Zenobia, and a postcard from the inventor of the amber spyglass, Mary Malone. Pullman, in his introduction, suggests that the peripheral items within "might be connected with the story, or they might not; they might be connected to stories that haven't appeared yet. It's difficult to tell." A very sumptuous and lovingly crafted but tantalizingly brief book , Lyra's Oxford begins when Lyra and Pantalaimon spot a witch's daemon called Ragi being pursued over the rooftops of Oxford by a frenzied pack of birds. The daemon heads straight for Lyra (the creature was given Lyra's name as somebody who might help) and is given shelter. Together Lyra and Pan try to guide the daemon to the home of Sebastian Makepeace-an alchemist living in a part of Oxford known as Jericho--but it is a journey fraught with more danger than they had at first anticipated.
 

 Some books improve with age--the age of the reader, that is. Such is certainly the case with Philip Pullman's heroic, at times heart-wrenching novel, The Golden Compass, a story ostensibly for children but one perhaps even better appreciated by adults. The protagonist of this complex fantasy is young Lyra Belacqua, a precocious orphan growing up within the precincts of Oxford University. But it quickly becomes clear that Lyra's Oxford is not precisely like our own--nor is her world. For one thing, people there each have a personal dæmon, the manifestation of their soul in animal form. For another, hers is a universe in which science, theology, and magic are closely allied: As for what experimental theology was, Lyra had no more idea than the urchins. She had formed the notion that it was concerned with magic, with the movements of the stars and planets, with tiny particles of matter, but that was guesswork, really. Probably the stars had dæmons just as humans did, and experimental theology involved talking to them. Not that Lyra spends much time worrying about it; what she likes best is "clambering over the College roofs with Roger the kitchen boy who was her particular friend, to spit plum stones on the heads of passing Scholars or to hoot like owls outside a window where a tutorial was going on, or racing through the narrow streets, or stealing apples from the market, or waging war." But Lyra's carefree existence changes forever when she and her dæmon, Pantalaimon, first prevent an assassination attempt against her uncle, the powerful Lord Asriel, and then overhear a secret discussion about a mysterious entity known as Dust. Soon she and Pan are swept up in a dangerous game involving disappearing children, a beautiful woman with a golden monkey dæmon, a trip to the far north, and a set of allies ranging from "gyptians" to witches to an armor-clad polar bear. In The Golden Compass, Philip Pullman has written a masterpiece that transcends genre. It is a children's book that will appeal to adults, a fantasy novel that will charm even the most hardened realist. Best of all, the author doesn't speak down to his audience, nor does he pull his punches; there is genuine terror in this book, and heartbreak, betrayal, and loss. There is also love, loyalty, and an abiding morality that infuses the story but never overwhelms it. This is one of those rare novels that one wishes would never end. Fortunately, its sequel, The Subtle Knife, will help put off that inevitability for a while longer.

This sequel to Holes (Farrar, 1998) focuses on Armpit, an African-American former resident of Tent D at Camp Green Lake. It's two years after his release, and the 16-year-old is still digging holes, although now getting paid for it, working for a landscaper in his hometown of Austin, TX. He's trying to turn his life around, knowing that everyone expects the worst of him and that he must take small steps to keep moving forward. When X-Ray, his friend and fellow former detainee at the juvenile detention center, comes up with a get-rich-quick scheme involving scalping tickets to a concert by teenage pop star Kaira DeLeon, Armpit fronts X-Ray the money. He takes his best friend and neighbor, Ginny, a 10-year-old with cerebral palsy, to the concert and ends up meeting Kaira, getting romantically involved, and finally becoming a hero by saving her life when her stepfather tries to kill her and frame him. Small Steps has a completely different tone than Holes. It lacks the bizarre landscape, the magical realism, the tall-tale quality, and the heavy irony. Yet, there is still much humor, social commentary, and a great deal of poignancy. Armpit's relationship with Ginny, the first person to care for him, look up to him, and give his life meaning, is a compassionate one. Like Holes, Small Steps is a story of redemption, of the triumph of the human spirit, of self-sacrifice, and of doing the right thing. Sachar is a master storyteller who creates memorable characters.